I have never seen the film, and I never will. However, I do love this quote from that film: "Any time of day is a good time for pie." - Fabienne, Pulp Fiction

Conversation.

I've never watched it, and I don't plan on it.

"The path of the righteous man is beset on all sides by the inequities of the selfish and the tyrannies of evil men. Blessed is he, who in the name of charity and good will, shepards the weak through the valley of darkness. For he is TRULY his brothers' keeper and finder of lost children. And I will strike down upon thee with GREAT VENGEANCE and FURIOUS ANGER those who attempt to poison and destroy my brothers. And you will KNOW I am the lord when I lay my vengeance upon you!"

Excellent character development. Every person in that movie was someone we normally wouldn't think too highly of, but we saw the humanity and maybe even felt compassion for all of them (Except the perps in the basement,but hey, you gotta have a couple of totally worthless people, just to spice it up)

What's not to like? First and foremost, it had the best characters ever. Then there's the dialogue. The pace was great. The music was fantastic. The stories were engaging (because of the characters and dialogue, of course). Let me give you an example of how it works. When Butch is sneaking back into his apartment, on the lookout for the gangsters, the tension works because of several factors. First, the dialogue from the preceeding scenes lets you know how stressed out about the danger he is. No shots of the gangsters with their gun and menacing music in the background are needed; Tarentino lets you instead feel the tension yourself, and simultaneously creates more tension because you as the viewer have no idea what is waiting for Butch. Then the shots of Butch sneaking up through the neighbors lawns so as not to be seen are long, but there are ambient noises that you would expect in the environment such as cars passing by or kids shouting. Since there is no tension music to set you up, there is no knowing what may happen. All you have to go on are Butch's suspicions and his motivation for putting himself in danger: his father's watch. The emotional importance of the watch is explained in earlier scenes, so you are feeling the tear between the danger and the recovery of the watch. Compounding this is the fact that the viewer already feels a connection with the gangsters themselves since their characters are established early on. The characters seem at once outlandish and very real. If you can deal with the violence and language, the only thing not to like about the movie is that it has to end.

The Dusty Springfield song.

I liked the continuity. I thought the language was a bit abrasive and overdone, but it wasn't an English movie.

Pulp Fiction quote: VINCENT: You know what they call a Quarter Pounder with Cheese in Paris? JULES: They don't call it a Quarter Pounder with Cheese? VINCENT: No, they got the metric system there, they wouldn't know what the fuck a Quarter Pounder is. JULES: What'd they call it? VINCENT: Royale with Cheese. JULES: Royale with Cheese. What'd they call a Big Mac? VINCENT: Big Mac's a Big Mac, but they call it Le Big Mac. JULES: What do they call a Whopper? VINCENT: I dunno, I didn't go into a Burger King. But you know what they put on french fries in Holland instead of ketchup? JULES: What? VINCENT: Mayonnaise. JULES: G*ddamn!

the gimp.

I don't really know why, but I really liked it when Uma thurman was dancing in the living room to "You'll be a woman soon" before she snorts all of John Travolta's heroin. Or the part in the restaraunt when Samuel L. Jackson talks about his wallet being the one with "Bad Mother F*cker" on it. Its such a SLJ thing to say!

When Bruce Willis's character went back and saved Ving Rhames character from the one eyed monster. Or maybe he was too late? but he saved him anyway.

The bit where the guy's head gets blown off in the back of the car.

Any scene with Uma ... Mmmmm

The music .. and John Travolta ... mMMmmmmMmm hubba hubba!

Samuel L. Jackson

I love how there's so many different stories intertwining. But my absolute favorite thing is that it's totally hilarious at moments, amongst all this violence and semi-philosophical talk. The chemistry between John Travolta & Samuel L. Jackson is amazing as well.

the reason why i like pulp fiction was bcuz it had many actors i liked such as johnny travolta uma thorman bruce willisand who can forget samual jackson. pulp fiction also has many good songs.

It's not special at all, actually. Just something that I particularly enjoyed while watching the movie: Uma Thurman's and John Travolta's dinner "date" was especially interesting. The conversation, her perfectly symmetrical hair, the restaurant, their dancing... I use their actual names because, for one, I don't remember their characters' names and two, I do this with every movie. The Truman Show will forever be "the movie with Jim Carrey's life being taped." Just as Man on Fire will be "the movie with Denzel Washington and Dakota Fanning." That's just me.

How about Uma Thurman's resurrection/resuscitation? (and Stoltz saying: "Wow--that was really cool"). I've always wanted to figure out how they did--filmed it in reverse or what; guess I'll have to watch it again.

When they go into the room where SLJ talks about his favourite bible verse

a million things but i really love the shock factor Vincent: Whoa! Jules: What the fuck's happening, man? Ah, shit man! Vincent: Oh man, I shot Marvin in the face. Jules: Why the fuck did you do that! Vincent: Well, I didn't mean to do it, it was an accident! Jules: Oh man I've seen some crazy ass shit in my time... Vincent: Chill out, man. I told you it was an accident. You probably went over a bump or something. Jules: Hey, the car didn't hit no motherfucking bump. Vincent: Hey, look man, I didn't mean to shoot the son of a bitch. The gun went off. I don't know why. Jules: Well look at this fucking mess, man. We're on a city street in broad daylight here! Vincent: I don't believe it. Jules: Well believe it now, motherfucker! We gotta get this car off the road! You know cops tend to notice shit like you're driving a car drenched in fucking blood.

It had an ending! One of the worst films I've ever seen.

where john and uma danced to buddy holly.

Its realistic dialogue. I can believe people talk like that.

I like the gag ball part

Jules Winnfield: What does Marsellus Wallace look like? Brett: What? Jules Winnfield: What country you from?! Brett: Wh-what? Jules Winnfield: What ain't no country I ever heard of! They speak English in What? Brett: What? Jules Winnfield: English, mother-fu**er! Do you speak it?! Brett: Yes. Jules Winnfield: Then you know what I'm saying?! Brett: Yes. Jules Winnfield: Describe what Marsellus Wallace looks like! Brett: What? Jules Winnfield: Say "what" again! Say "what" again! I dare you, I double dare you, mother-fu**er! Say "what" one more Goddamn time! Brett: He's black. Jules Winnfield: Go on! Brett: He's bald. Jules Winnfield: Does he look like a bitch?! Brett: What? Oww! Jules Winnfield: Does he look like a bitch?! Brett: No! Jules Winnfield: Then why you trying to fu** him like a bitch, Brett?

Jodie,the girl with "all the sh*t in her face".

I like all the conversations between Travolta and Jackson...Royale with cheese.

Every single thing, from beginning to end, even the credits, and if it is on twice, thats fine by me!

I loved everything about that movie but if I had to choose one thing it would be when Eric Stoltz character gave that adrenalin shot in the heart.

The pawn shop part, when he's looking at various ''weapons'' to decide what to take. There's a chainsaw, a baseball bat and a few other things and lol he goes for the katana. XD Also the end speech from Jules and how he decides to go all nomad.